Praise for $20,000 Under the Sea

This is a little bit of a thank you and a little bit of an ad heads-up, but while my own efforts to promote $20,000 Under the Sea have been proceeding anemically, the book has received some positive critical reception that I’m grateful for. I wanted to highlight some of it:

  • Self-Publishing Review: “An exceptional high-stakes drama on the high seas that brims with encroaching horror, $20,000 Under the Sea by Sam Locrian is a timely historical commentary and a masterclass in psychological suspense”
  • Indie Reader: “a fun, action-packed addition to the corpus of transformative works in the Lovecraft mythos”
  • The Hemlock Journal: “a mix of thrill and fantasy”

Thank you to these reviewers as well as others who have taken the time to read and review the book.

Additionally, this last month, I was able to have my first in-person event in quite awhile. Thank you to PH Coffee, my favorite writing spot in the Kansas City area, for hosting me for a book signing on August 9th! For others in the Kansas City area, perhaps I will see you at a future event!

Top Image: The Mask

Brace for Impact

Uh oh.

Just in case you were checking out old posts and came upon a curious vacancy, let me confirm for you: All of the “Whom Emperors Have Served” posts have been relegated to hidden/password protected status. This, as the above picture might suggest, is because they have been compiled, edited, and bundled into a book which you will soon be able to buy.

This is partially for (obvious) economic reasons, but part of it is contractual (one of my publishing partners does stipulate that the book’s content may not be available for free online). So sorry, I guess. I’ll keep you apprised of any giveaways.

For those of you who have avoided my unedited detritus (or who were otherwise excited to see the finished product), get hyped. A stupid submarine is about to hit your metaphorical boat.

Shitpost (feat. Sir Vilhelm)

I’m not dead as it turns out. To be clear, the below is written in-character. This is practice for a weird piece I’m working on that may or may not ever see the light of day.

In Dark Souls 3, Sir Vilhelm, loyal knight and right hand of Lady Elfriede of Londor, finally having had enough of your shit, declares to you:

“I’ve seen your kind, time and time again.  Every fleeing man must be caught.  Every secret must be unearthed.  Such is the conceit of the self-proclaimed seeker of truth.  But in the end, you lack the stomach for the agony you’ll bring upon yourself.”

Hardcore, truly, especially as he proceeds to embody that agony by lighting his sword on fire and introducing it to your (lack of) stomach.  It’s very tempting to take it as a pat on the back: This is Dark Souls!  This bastard thinks you can’t take it, and true–his sword is scary (though hardly as scary as his liegelady’s eyeless stare and akimbo scythes)–but press on!  Through persistence, you will prevail!  But try taking it at face value first, and you can’t help but stumble.  To start, want to tell me who he’s talking to?

These words, directed at the Unkindled (the player character), make deceptively little sense.  Technically, the Unkindled has the choice to fuck off entirely, but beyond that, he is simply proceeding linearly to the castle’s backdoor.  And insofar as he doesn’t fuck off, he is here for two things, neither of which is the truth.  First, same as anywhere else on the journey to the Kiln of the First Flame, he’s here to take souls (=power) from the inhabitants of the painted world, the fragile order of Elfriede’s frozen, rotting kingdom be damned.  Second, he has a task from Slave Knight Gael: someone must show his lady flame.  Assuming the Unkindled cares about that, he’s going to show (=give) some lady somewhere in this awful place some fire, said fragile order be thrice-damned.

Neither of these even remotely resembles truth-seeking unless you accept, pretty much wholesale, the Nietzschean allegory of the Fire as Truth, meaning the souls you’re harvesting are fragments of Truth and that Vilhelm knows that if you have your way, you’re about to slurp the Truth right out of his armor and wear what’s left as a cape (he has a cool cape).  So okay, that makes sense, but why “self-proclaimed”?

Again, the Unkindled isn’t proclaiming anything to anyone.  He’s showing up, mostly taking things, sometimes giving them.  It’s certainly a nuisance if you’re trying to maintain a status quo (or a slow degradation into rot, same difference), but there’s no proclamation, no fanfare–for those in his warpath, these interactions are coincidental.  Consider the circumstances of the Unkindled’s confrontations with the other Lords of Cinder: The Watchers are killing each other, Aldrich is munching on Gwyndolin, Yhorm is just chilling deep underground where no one in their right mind would bother to bother him.  To them, the Unkindled showing up is completely unexplained–they don’t even know who this guy is.  To you, the narrative, what it all means, is constructed after the fact by the Fire Maden, by Ludleth and Yuria and the Painter Girl, by others.  Sort of like the Peloponnesian War.  Or Jesus Christ.

On the topic of both, Edward Teach M.D. throws out a particularly hot theological take in Sadly, Porn:

“Your God must be omnipotent so he won’t be omniscient, open your Bibles to the Gospel of the Television Christian, Mark 13:6, and let’s see what today’s reader wants out of a translation:

‘Many will come in my name, saying ‘I am he!’ and many will be lead astray’

You can read it again and again, it’s obviously a clear warning about being fooled by imposters and false Christs, which, curiously, there are no examples of anywhere in the New Testament or indeed in the history of Christianity.  Huh.  So much for omniscience.

A couple of things about this sentence.  First, in the original Greek(s) there are no punctuation marks.  Second, the word ‘he’, the predicate nominative of ‘I am’, is not there; the translator, whom they executed for being a translator and then plagiarized his work, just added it, along with all the thees, thys, hasts, and forsakens that effectively inform us that Jesus was a Stewart, all this being especially ironic as King James knew Greek even better than the translators, and probably Mark.  Third, I guess to balance the ledger, the translator then omits the Greek word that comes after ‘saying’, and that word is ‘what’.  So the actual line, translated using no psychoanalysis or literary deconstruction or collapsing the wave function–simply copying down the words–is:

‘many will come in my name saying what I am and many will be led astray’”

I will both echo and paraphrase Teach’s following sentiment: Your worldview is built on writhing mist and shadow, best acclimate.  I know, quotes within quotes, metaphors within metaphors, it’s easy to get lost.  You can pretend you’re Theseus, if only to pretend you’re not Orpheus, but either way you’re stuck in a maze.  Better pay attention if you want out.

Anyway, to balance his heterodoxy against the millennia of interpretation disagreeing with it, Teach provides a buttress:

“...the most contextually appropriate reading here is the literal one: that people will claim Jesus is something else.  Do you know why?  Because that is what the Gospel of Mark is.  That’s what happens over and over in the Gospel of Mark, no one else claims to be Christ, and almost no one doubts he is Christ; but everyone, Pharisees, Romans, disciples, Tusken raiders, everyone wants him to be something else.”

Take inventory of the pieces: You have Jesus, an actor, you have the clear desire(s) to (re)interpret his action, all repressed, distorted into the desire to imitate, to impersonate him.  Recall that by Fire as Truth, Gwyn, Lord of Cinder, is an allegory for…Jesus.  This would make the Unkindled, following in Gwyn’s footsteps, attempting–according to the Fire Maiden, et al–to link the Fire, a copycat.

That would imply, then, that many are deceived, not by the meaning of the Unkindled’s quest for Truth, but by the notion that the Unkindled is seeking Truth, is attempting to link the Fire at all.  Do not misunderstand: He may in fact link the Fire, but the notion that his action is compelled by this question, that you know what this force wants is the distortion which hides what you’ve repressed.

Except the repressed always returns.  When Sir Vilhelm rebukes the Unkindled, he is of course not speaking to the Unkindled, not even literally.  He is only speaking to you.  But it isn’t a commendation.  The Unkindled seeks Truth for its power.  You seek truth to defend against your powerlessness, and you will self-proclaim your quest to anyone who can’t get out of listening as long as it makes you think they think you aren’t doing what you’re really doing, which is nothing.  Seeking truth, after all, means you aren’t finding it.  

Sir Vilhelm sees you, just like I see you, but unlike me, he is easy to misinterpret, and in case he isn’t, he’s omniscient, which means he isn’t omnipotent, so you can always kill him to shut him up.  But if you want out of here, don’t misinterpret him, don’t you dare think that “the agony you’ll bring upon yourself” means “Dark Souls is hard”, spare me your incompetent lies.  Dark Souls is a work of entertainment, and anyway, anyone unsuited to its “agony” would never have reached Sir Vilhelm in the first place.  Your agony is the never ending hunger, the seeking of truth you will never find because it will never satisfy, at the expense of anything and everything that might.  “Lack[ing] the stomach” is intentional, you see.  It keeps us hungry down here in the dark.

Top Image: Screenshot from Dark Souls 3

Mandatory Vacation in Dimly-Lit Locales

The other day I made the mistake of visiting FextraLife’s Elden Ring lore speculation page, only to recoil, wailing, from the bilingual Time Cube that resides therein. While I try to refrain creating content based primarily on being mean to people, there are only so many claims like “House Hoslow is descended from the Nox because their armor has silver in it” that I can read before I push my fingers so far into my temples that brain pulp begins extruding from my nose.

While it wasn’t surprising, I was pleased to find that Shadow of the Erdtree added substantially to the Elden Ring analytical picture. I hope to write a more substantial post about it, ideally something between the structure of my previous Elden Ring post and the Dark Noon series. It’ll involve fingers, Jesus, and really disgusting jars. But this is not that post. This is mainly to remind/assure you all that I’m alive and that all of the previously in-progress efforts are in the same, slow, grinding motion they’ve been in for months. Beta reading for $20,000 Under the Sea is coming to a close. I’ve found a real editor to take a look at it, so that’s still ongoing, still with a projected release date of this year (I’m looking at 12/20 at this point). And of course, all the Rale-universe work (“The Apiarist”, the Crossroads sequel) is still going. You can, of course, still find updates here. On my website.

Top Image: Elden Ring: Shadow of the Erdtree promotional image

Broken

Apologies for the slow cadence of posts lately. I’ve had a number of things cooking, but they are all in such a way that none is quite ready to post here. And then I went to the hospital this last weekend, which threw a wrench in most of my plans. I will have something new up in a few days. It’ll be a little weird–but hopefully pleasantly so.

Partial Eclipse of My Writing Schedule

Posting since it’s been a minute since my previous spree of relatively high-frequency updates. Everything is still underway–a new Apiarist excerpt is forthcoming (hopefully within the week), and editing for $20,000 Under the Sea is hopefully nearing its conclusion. However, travel to see the recent eclipse, while absolutely worthwhile, has put a kink in my content pipeline that I’m only now beginning to sort out. I hope you all are well and that you spent an appropriate minimum of time staring directly into the sun in the past week and a half.

Kindness, Revisited

Not all opinions are equal. But some are, and whereof one cannot speak…

My bandwidth for ancillary writing has tanked recently, but amid the ongoing trek of editing $20,000 Under the Sea, a trend has emerged in my media intake that is explicable in the way a full-length review is not.  It’s particularly convenient to blog about because I’ve blogged about it before–five years ago.  Back then, I was reminiscing about the increased weight Nabokov’s (admittedly abrasive) instructions had taken on in my evaluation of media.  More recently, I’ve seen a good clip of amateur reviews run across my newsfeed, and boy, would you know it, all that shit is still relevant.

If you’re in the habit of writing reviews, especially if you are an amateur reviewer (which we mostly are here on WordPress), you would do well to read it.  Too long?  You’re a dirty liar, but fine, whatever, I’ll give you a highlight:

In your capacity as a critic, check your damn ego.  Be kind.  Lean on mainstream takes before you pan something.  Don’t trust them, of course–the mainstream is often very stupid–but at least take it mathematically: Is it more likely that you saw through the marketing and vacuous acclaim of the idiot masses, or…did you maybe miss something?  Was the draw simply something that wasn’t for you?  Did you let the fact that you didn’t care for a book’s main character shade your interpretation of all the rest?

Don’t get me wrong, it’s fine to dislike anything for just about whatever reason.  The problems only come when it’s time to square perspectives with everyone else. And though I don’t care for a lot of people, I very pointedly do not throw rocks at (most of) their houses.

Winter is Ending

I’m having to bunt here since writing on the latest preview chapter for One Wing, One Eye is going slowly. But it will be done soon (hopefully by my next post), and in the meantime, I am very much still alive.

Content here over the next year is going to be a little tricky. Editing on $20,000 Under the Sea will mean that a fair portion of my output isn’t going to show up here (until the release of the book), and my new job is cutting into my writing time substantially. That said, I intend to find a way to make it work. In the meantime, thank you to all of you for reading and following. I hope you are doing well and that your winter ends soon.

Charting a Course Ahead

First off: Reminder that all of my books are currently on sale! Ebook versions are $0.99, and paperback versions are significantly discounted until the end of the month. You can find Promises for a Worse Tomorrow on Amazon here and Three and Two and Two from your preferred retailer (including Amazon if you so desire) here!

Beyond that, editing for $20,000 Under the Sea is underway, and since it is going to take significantly longer than past books, I may post some of the intermediary materials here as well. To that end, it’s all still in the early stages. If you have any interest in participating in beta reading, you would be most welcome–feel free to reach out to me at slhlocrian@saltpoweredllc.com!

Otherwise, upcoming content will theoretically be a little more short-form (book reviews, short nonfiction posts, a review of my recent reading list), though I will continue adding chapters for One Wing, One Eye as I finish them. I hope the New Year is treating you well!

Unresolutions

Happy New Year, everyone!

I know I’ve been pretty quiet for the past few weeks. It was actually quite loud for me, and I got to live out a lifelong dream of floating down the Amazon River, passionately vomiting every single damn thing in my gastrointestinal tract from sundown to sunup. It was perhaps the best vacation I’ve ever taken.

Meanwhile, my recent good fortune in day-job world has left the timelines for my upcoming projects with unfortunately little resolution. Not an auspicious New Year situation, but still, the original plan for $20,000 Under the Sea is more or less on track. The beta-reading/editing process has started, and I’m continuing to target release by the end of 2024. For The One-Winged Lark and the One-Eyed Crow, well, stay tuned. A new chapter should be up shortly.

And of course, one more bit of good news. If you’re new here or were waiting on a chance to read my work, I’ve adjusted ebook prices down to $0.99 for both Three and Two and Two and Promises for a Worse Tomorrow and discounted the Three and Two and Two paperback by 40% until the end of the month (exact amounts subject to platform and country; some platforms may take a minute to update the price, keep an eye on it).

May your upcoming year be resolute. Or at least, you know, nice or something.